During the recent state visit of the Sultan of Oman Haitham bin Tariq Al Said to Russia, the parties signed a joint statement emphasising the desire to take bilateral relations to a new level. How do you assess the significance of this step for the development of cultural ties between Russia and Oman?

This visit is historical, it is the first time the ruling Sultan of Oman has visited Russia. Ten documents were signed, including agreements in the cultural sphere. Our ties go back centuries. The countries are united by common values: multinationality, respect for each other’s traditions, and spiritual heritage.

Russia and Oman have signed an agreement on mutual visa cancellation. Do you expect an increase in the interest of Russian tourists and researchers in the cultural heritage of Oman? Are there any special museum programmes for Russian-speaking guests planned in this regard?

The tourist flow is already growing: 44 thousand Russians visited Oman in 2024. The cancellation of the visa policy and year-round flights from Muscat to Moscow will strengthen this dynamic. We are adapting the museum for Russian-speaking guests: we have already launched a website and are developing a mobile application in Russian.

What cultural priorities are facing Oman today, and what role does the museum play in their realisation?

We promote Oman’s heritage abroad through various projects, such as Oman Day (the Hermitage hosted the event in 2018), and also showcase the sultanate’s culture in world museums.

You serve as the Secretary-General of the National Museum of Oman and play a key role in its development. How long have you held this position, and what does this role mean to you personally?

I was involved in the creation of the museum from 2010 and 10 years later I took over as Secretary-General. Our social direction is very important: we employ residents of historic Muscat and support small businesses.

Which exhibits do you consider the most significant or unique?

The altar of a 15th century mosque that was saved from destruction. Or, for example, the main document of modern Oman – the will of the late Sultan Qaboos bin Said. In 2024, restorers from the Hermitage restored his desk – it will be exhibited for the first time.

What joint projects with Russia are planned?

In June we will open an exhibition of Russian style with the Hermitage, and in November we will show Soviet and Russian avant-garde art from the Tretyakov Gallery. Omani editions will appear in Grozny and Moscow. We also have a deep historical connection with India and China: last year we showed masterpieces of Indian modernism, and in China we are building up links with national and regional museums.

How does the museum develop young talent?

In 2024, 30,000 students participated in our programmes. We cooperate with Moscow State University (MSU) and St. Petersburg University (SPbU), and Russian Arabist students come to Oman. Soon we will open a children’s theatre and music programme with Russian experts.

As the first museum in the Middle East adapted for visually impaired visitors, the National Museum sets a precedent for inclusivity. ​What measures are in place to ensure the museum continues to be accessible to all?

We are consulting with the Ministry of Health in Oman, training staff and creating typhlocommunications. We also reserve jobs for people with disabilities, it’s part of our social mission.

Photo: National Museum of Oman